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ADAM, ADOLPHE (1803-56). French composer and music critic, best remembered for his ballets, Giselle (1844) and Le Corsaire (1856).

 

Extraordinary, long musical quotation, on music staff paper, 4to, April 1, 1846.

 

From his famous ballet, Giselle, the composer pens the Act 1 Pas de Deux where Giselle dances ignoring her mother’s warnings. This is one of the most well known musical themes of the ballet.  The penmanship is so meticulous that the music is easily read. Below the excerpt he signs, “Ad. Adam.”

 

A superb and rare presentation.

 

$5000.00

 

ARMSTRONG, LOUIS (1901-71). Foremost American jazz musician.

 

Signed program from a performance in Brezen, in the former Czechoslovakia, in 1965. Pictured on the cover with his trumpet to his mouth, he has signed boldly across the second inside page which  faces another printed image of the influential musician. The page on which he has signed begins in English, “Hello Satchmo.”  Armstrong’s band was the All Stars. The following musicians have signed near their printed photos: Arvel Shaw, Billy Kyle, Danny Barcelona, and Tyree Glenn have also signed though he is not pictured. The next to last page of the program refers to his famous version of “Hello Dolly,” and the last page or inside back cover shows Armstrong playing his trumpet against a background of newspapers clippings.

 

A fine souvenir commemorating this great jazz musician’s international fame.

 

$425.00

                                                     

 

                                                  

BAKER, CHET (1929-88). American jazz musician. Chosen to play with Charlie Parker in 1951, which catapulted him to fame. His heroin addiction created his major decline. Died in 1988, as he either was pushed or fell out a window in Amsterdam.

 

Autograph Letter Signed, 4to., n.p. n.d.

 

On a piece of loose-leaf paper, Baker writes to a friend in pencil. “I’m sorry we weren’t able to talk again while you were out here. Carol and I tried to catch you Sat. night… I’m really happy for you and the major and I hope you make it big. See if you can arrange some kind of a booking for me in Denver somewhere… but we’d have a nice band with Frank Strazzeri, Frank Dellarose, you and me.” Signed “Chet”.

 

Autograph material of one of the greatest trumpet players of the be-bop period are scarce, and letters more so.

 

$775.00

 

‘NOW THAT THE WORLD IS MOVED BY RACISM.'

 

BAKER, JOSEPHINE (1906-1975).  American-born French entertainer.  Starred on Broadway in 1923 and 1924.  Became a sensation in Paris in   "La Revue Nègre" in 1925.  Renowned for her jazz singing, dancing, exotic costumes and extravagant gestures.

Typed Letter Signed, in French, two 4to pages on one sheet, Les Milandes, March 5, 1965.

She writes to Tino Davini of "Dell'Italamusica,'" indicating that she will respond to his letter, "item by item: Cook - she came, but I had to make her leave because she did not want to do the kitchen dishes, nor the children's.  She wanted an assistant and nap time … Transportation of works - I am very happy that the Father found a solution … my offer to advance money against my notes is no longer necessary … decorator for the show - I think you received my most recent letter … Architect Bruno Pedrigolli - I am very happy with his … model to help publicize the college … I would like him to see the site of the college … Brescia Art Association - I would like to ask you to concentrate on the Italian press … coming from Italy, they will know that … it is not gossip coming from me.  Now that the world is moved by racism, more than ever it is time for our College to get talked about favorably … Audiences - confirmation of audiences with the President of … Panama, as well as with the Presidents of … Argentina, Chile, Peru and with the Danish Minister of Education … Don't forget that Italy is the leader … All the other countries in the world will follow … ."  She signs in red, "Josephine," over her typed name and continues in a postscript which she also signs.  "I have not heard from Fiat … about the delivery of the car and its installation … with that model no one will be able to doubt the importance of our success … ."  She signs, "J. Baker," again in red.(#2011-0122)

Baker became a star in Paris during the '20s and '30s, in the Folies-Bergère, the Casino de Paris and in films.  After her retirement in 1956, she supported the orphanage she had established.  This substantive long letter is written from this later period.   

$450.00

   

 

BECHET, SIDNEY (1897-1959).  American jazz musician and composer,  played saxophone and clarinet.

 

Photograph Signed, 4to, [Paris], ca 1955.

 

The renown jazz clarinetist is shown in this black and white publicity image, three quarter length, holding his clarinet. He inscribes and signs across his light suite jacket, in green ink, “To…best wishes from Sidney Bechet.”  In the lower left corner, a printed inscription in French in white ink against the gray background reads, “Greetings to Couesnon, this Soprano is really the best and OK for me….” Couesnon, Paris, printed this image as is printed in the upper right corner.

 

An appealing photograph.

 

$625.00

 

 

BELARSKY, SIDOR (1898-1975). Ukrainian born singer and interpreter of classic cantorial music, Yiddish folk songs and Hebrew songs from Israel.

 

Photograph Signed, 4to, n.p., October 1947.

 

In this black and white but length publicity photograph, he is shown smiling broadly, facing forward. He inscribes and signs with date on his dark suit jacket, “With All good Wishes…Sidor Belarsky.”                                                                                    

 

$275.00


BERG, ALBAN (1885-1935).  Eminent Austrian composer.

Autograph Letter Signed, in German, 2 pp on personal stationery 8vo, Vienna, January 28, 1924.

To the conductor Gottfried Kassowitz, a former student of Berg's:  "Well it's quite a calamity, my dear Kassowitz!  This time a sudden and very severe illness of my wife [Helene] is to blame that at the last minute I couldn't go through with my intention to attend your concert. […]  Despite this I expected for sure (as [Alma?] Mahler probably told you) to attend your concert at least by myself.  … [O]ur maid had the night off, I couldn't leave my wife by herself in this state!  […]  Thus it is "unheard' that I congratulate you ….  I expect you on Wednesday, at 5 pm, when you will have to tell me everything to the minutest detail.  Signed, "Cordially, Your Bg."

During the last ten years of his life, Berg dedicated himself to composition in the twelve-tone method set forth by his mentor, Arnold Schoenberg.  Berg was not a prolific composer; at the time of this letter, he had been working on his Chamber Concerto for violin, piano, and wind instruments since 1923, and would not finish it until 1925.
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$3,500.00

BERLIOZ, HECTOR (1803-69).  French composer, best known for his Symphonie fantastique.

 

Autograph Letter Signed, in French, 4 pages on one folded 8vo sheet, Rue de Boursault, Jan. 16, 1856.

 

He writes to famed French violinist and teacher, Prosper Sainton (1813-90).  “Diverse propositions are being made to me for Belgium…and if what I am asking for those Belgian concerts can be realized, I will accept all offers…you must not doubt the pleasure I should have had in placing myself entirely at the service of Miss Dolby, organizing and directing her concert.  I have received such courtesy and marks of fraternity from English artists…In any case I am going to retain Herz hall for the Thursday…I doubt that Prudent would want to play and that the director of the Opera will permit Roger to sing.”  He then lists the costs for a concert by writing expenses for each cost, including lighting, posters and 50 musicians to be included for the renown contralto Charlotte Dolby whom Sainton married in 1860. Berlioz continues writing about the specifics of a future concert based on his current experience referring to the Opera  Comique and its conductor, Tilmant Beale, who wrote, “that we wouldn’t have any chance to succeed, because of the Lind  fever which renders all other musical enterprises impossible.”  He signs this long and detailed letter, along the side of the last page, “H. Berlioz.”

 

Letters of Berlioz, especially this detailed, expressing his knowledge of putting on a concert are rare, and this one is fine in musical content and association to his contemporary musical artists .His reference to Jenny Lind, whose fame and popularity truly dwarfed any singer of her time and helped him focus on his own productions, is quite interesting.  It is curious that he has expressed his appreciation and his being appreciated by his English contemporaries.  A wonderful, important letter.

 

$6000.00

 

 

BERNSTEIN, LEONARD  (1918-90).  American conductor and composer, dedicated teacher.  Beloved of generations of Americans for his long-running television series Young People's Concerts, famous for his fiery and passionate style leading the world's best orchestras.

 

Excellent candid Photograph Signed, with musical quotation 4to, n.p., n.d.  This politically incorrect portrait, shows Bernstein bust-length wearing a hounds tooth sport coat with his right hand against his face holding a cigarette.  It is inscribed in the upper left corner, "For … Leonard Bernstein." He then adds a few musical notations and writes, “Here it is ‘Yit-ga-dal’.”

 

An extremely significant portrait as "Yit-ga-del" is the mourning prayer from his "Kaddish"  which Bernstein composed and performed in memory of J.F. Kennedy's assassination.  A moving tribute.

 

$950.00

 

BERNSTEIN, LEONARD (1918-90).  American composer and conductor.

 

Autograph Manuscript Signed, 6 pp on 3 sheets of large 8vo notebook paper, n.p., April 29, 1935.

 

This document written in his youth is titled, “Lewis Browne: ‘This Believing World.’”  He drafts an outline for what seems to be a book report and begins, “With materialism gradually gripping civilization in its loathsome clutches, religious interests have lagged considerably….” He explains Browne wrote his book to “teach civilization the history of religion….” He provides an outline of the book and several concluding paragraphs.  A most interesting document from the teenage Bernstein who signs in full in the top right corner of the first page, “Leonard Bernstein.”

$1350.00     

BERNSTEIN, LEONARD (1918-1990). American conductor and composer. Best remembered for his ‘West Side Story, Kaddish, Mass’ and the music to ‘On the Waterfront’.

Small 8vo Photograph Signed with an Autograph Music Quote, n.p., n.d. (ca. 1980).

An original profile, bust-length portrait of the elegantly dressed composer, signed with one note of music, “Pax, Leonard Bernstein."

“Pax” probably refers to his ‘Pax Communium’, the final piece in his 1971 work, ‘Mass’. Fine for presentation.

$775.00

 

BERNSTEIN, LEONARD  (1918-90).  American conductor and composer, dedicated teacher.  Beloved of generations of Americans for his long-running television series Young People's Concerts, famous for his fiery and passionate style leading the world's best orchestras.

Excellent candid Photograph Signed, with musical quotation 4to, n.p., n.d. This politically incorrect portrait, bust-length wearing a hounds tooth sport coat with his right hand against his face holding a cigarette, is inscribed in the upper left corner, "For … Leonard Bernstein" He then adds a few musical notations and write, Hear it is "Yit-ga-dal.

This politically incorrect portrait, bust-length wearing a hounds tooth sport coat with his right hand against his face holding a cigarette, is inscribed in the upper left corner, "For … Leonard Bernstein" He then adds a few musical notations and write, Hear it is "Yit-ga-dal."

An extremely significant portrait as "Yitgadel" is the morning prayer from his "Kaddish" Bernstein performed this piece of music in memory of J.F. Kennedy's assassination.  A moving tribute.

$950.00

 

BERNSTEIN, LEONARD (1918-90).  American composer.  Famous for his association with the Boston Symphony Orchestra's Tanglewood Institute.  After eleven years with the New York Philharmonic, he became a world-renowned guest conductor.

Autograph Manuscript Signed, being his class paper in high school, 3pp 4to, 2 separate sheets Signed twice, n.p., March 11, 1935.
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A report on the subject of science in the domestic sphere, titled "Science in the Home," early in his studies. With several spelling and grammar corrections, including underlined clauses and question marks. "Science now embraces more fields than it ever has … not merely … further removed studies, such as medicine and archaeology, but also psychology and common sense. It is equally true that each of these fields of science may go, to some degree, toward the making up of a harmonious home. Science … has contributed a number of practical appliances which have removed the drudgery … Heating, cooking and laundering appliances have become essentials … Radio has made possible many kinds of finer entertainment which were formerly enjoyed only by a certain class … The telephone has eased many an anxious heart." He b-lines into a completely different field of science in the home, that of psychology, proclaiming, " …  Sons and daughters, being given a greater amount of personal freedom, emerge wiser and more reliable men and women – providing only that they are sensible sons and daughters. …  Fond parents – and I use the adjective in the Mietonic sense – sometimes establish over intimate contacts with their children, or allow them too much liberty. Children are apt to rebel under either extremity  – actively in one case, subconsciously in another." He brings the report to conclusion with commentary on religion. " …  Men and women who do not appreciate the vastness of science and who claim that if you go against the grain of religion should think twice before speaking. Science and religion are both essentials of the home; why interfere with either of them?" The top right corner of the first sheet is signed, "Leonard Bernstein," and the second page, "L.  Bernstein."
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Before studying at Harvard University under the likes of Edward Berlingame and Walter Piston, the Massachusetts native attended Garrison and Boston Latin schools. This was composed, most likely, during the end of his high school years. Bernstein graduated from Harvard in 1939, right around the time of his impressive debut scoring for The Birds. An entertaining sample of his early academic efforts especially so reflecting on science which many composers believe to be a shadowing of music. A wonderful commentary.
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$1,350.00

 

BERNSTEIN, LEONARD. (1918-90).  American composer, conductor, and pianist.

Black and white photograph, 8vo, n.p., 1979.
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This is a stunning photograph of Bernstein bust-length in profile somewhere between 45 and 60 years of age.  He is in concert attire, white tie and tails.  He has inscribed the photo in the lower right, "Für [?] Gläser Leonard Bernstein '79."
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Bernstein retired from his post as music director of the New York Philharmonic in 1969 in order to apply more time to his composition.  The 1970s saw the premieres of Mass: A Theatre Piece for Singers, Players and Dancers (1971) and the song cycle Songfest: A Cycle of American Poems for Six Singers and Orchestra (1977), followed by the opera A Quiet Place (1983).
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$300.00

 

BIZET, GEORGES (1838-75).  French composer and pianist of the romantic era, best known for his opera “Carmen.”

 

Superb Autograph Letter Signed, in French, 8vo with Gallet's addition on the last leaf, n.p,, no date [? May 1872].

 

To his librettist Louis Gallet, concerning the proposed publication of excerpts from his opera “Djamileh,” and asking Gallet to supply a second verse to the reverie at the beginning, (drafted by Gallet on the second leaf of the letter).  “Choudon is going to publish the extracts of Djamileh. We are asking you for a second strophe for the reverie at the beginning - as soon as possible, yes?  Choudon finds (from the point of view of the extracts) the beginning of Ghazel deplorable (I don't know why) the name Nour-Eddin displeases him - he would prefer The young king of Lahore [Le jeune roi de Lahore]  And noble like a god…Will you remove his Nour-Eddin?  I beg you to make the Second strophe soon….” Signed in full, “Georges Bizet”.

 

“Djamileh” was first performed at the Opéra-Comique on 22 May 1872. .This one-act opera comique evokes a vision of the non-Western world, like so many other musical, literary and artistic efforts in nineteenth-century France .Choudens published the work in 1872, in vocal score and evidently then published excerpts. The reverie at the beginning has only one verse, and the text sketched by Gallet on the reverse of the present letter is in the same meter and can reasonably be assumed to be the second strophe requested by the composer. A superb, late letter while working at the Opera-Comique in Paris.  Letters of Bizet with such fine content and such an attractive presentation are very scarce.

 

$ 4250.00

 

BLAKE, EUBIE. (1883-1983). American ragtime pianist and popular composer.

Signed sheet music of his famous song, I'm Just Wild About Harry.
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This is the Victory Version Souvenir Edition of the song celebrating President Harry Truman's surprise election in 1948. A smiling Truman is shown on the cover, with arms raised and hat in hand. Blake signs near the music's title, "Eubie Blake."
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Blake's other notable compositions include the musical Shuffle Along (1921), and his song, Memories of You. A fine presentation.
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$150.00

 

BLOCH, ERNEST  (1880-1959).  Swiss-born, American composer.  His compositions included works on Jewish themes.

Autograph Letter Signed, in French, on his name printed stationery, 2 pages 4to, Agate Beach, Jan.  24, 1952.

A superb letter to his friend Pierre Monteux.  "As soon as I got your letter, I was going to write to you not to speak of myself but of you.  The radio reception here is practically impossible, but off and on we can get the Standard Hour - and we enjoyed your last one.  The music, or rather the musicians and the 'modern' works disappoint us so often ....  My wife balked at the notion of the Akademische Ouverture, which she detests - perhaps because she is German! - But you've understood her as well as I, through our brio and your humor. - And what Bach!  What joy to hear a master who serves up music and style without putting himself up front.  As for the Brahms, you and that admirable Spivakovsky delivered such a beautiful and moving interpretation that we were sorry not to hear the entire concerto.  I was pleased to hear that all is well and to hear about the violin concerto and the Symph.  Concerto with Corinne Lecenoble [?] I would love to hear both of them! I have only heard the one for violin on the existing recording which ... disheartens me a bit.  And the one for piano, only from the podium."  In conclusion Bloch sends his best wishes to Mme.  Monteux.  Signed, "Ernest Bloch."

A wonderful letter, full of accolades from Bloch to Monteux.  A superb association. 

$975.00

 

BLOCH, ERNEST (1880-1959).  Swiss born, American composer.  His compositions included works on Jewish themes.

Two Autograph Letters Signed, on "The Cleveland Institute of Music"  stationery, in French, 1 ½  pages 4to and 2 pages 8vo, Cleveland, March 22, 1923 and February 15, 1924.

To Marya Freund (1876-1966), a German soprano who sang many compositions at their premier including works by Bloch, Milhaud, Poulenc, Stravinsky, and others.  In the first letter, Bloch thanks his correspondent for her letter and "souvenir"  and that he has asked his editor Schirmer, to send "my Psalms and my Poèmes  d'Automne to you (the latter with orchestration)."  With regard to her "very interesting proposal of a course"  at her "young institute."  Bloch cannot see any possibility for him to take up the offer "purely for financial reasons,"  but he hopes that when she next comes to America they can talk about the possibility of it happening in the future. Signed, "Ernest Bloch."  In the second letter, Bloch explains what is happening with a piece of work she requested:  "The orchestral parts for the Psalms was not engraved (such is the confidence of editors!),"  there is a set in America and another on deposit in London, but "that is all I know."  He says that Schirmer is an "absolute and autocratic master on these works,"  and that she can also get help from "Mr. Sonneck, who is a large administrator of my work and will do anything possible to help you."  He describes how tired he was on his return to Cleveland.  Bloch wants Freund to let him know when "you pack for Europe"  and he will help her to arrange things if "I do not lose my memory, which is probable."  Signed, "Ernest Bloch." (#5593-0126)

Bloch wrote his settings of Psalms CXIV and CXXVII  between 1912-1914, and Psalm XXII in 1914, during a period of his life when he, though looking for his own musical identity, found fulfillment in a series of  biblically inspired pieces, including his extremely famous Schelomo (1915-1916). This period became known as his "Jewish Cycle."  The Psalm settings create a vivid picture of suffering and salvation, and demonstrate how Bloch was inspired by the text. The Poèmes d'Automne for mezzo soprano was written much earlier and premiered in Geneva in 1906.Gustave Schirmer (1890-1965; became president of his family's music publishing company in 1919. Oscar G. T. Sonneck (1873-1928; a musicologist, librarian, editor and composer, became director of the publication department of the firm G. Schirmer in 1917 (he had been editing its Musical Quarterly since its first issue in 1915, and became vice-president in 1921.  In this capacity he directed the publication of new music, including that of Bloch and others. 

$1,400.00

 

Boito, Arrigo (1842-1918). 

Autograph Quotation Signed, in Spanish, small 8vo, n.p., n.d.

"To esteemed friend Don Giulio Ricordi, Honorable Cristo of the order of the Caballero, I present you the truer and most real and similar nose of your affectionate Enrique Boito."  With envelope addressed to Ricordi and initialled "A.B." (#5594-0126)

A humorous, and wonderful association and presentation. 

$425.00

 

BRITTEN, BENJAMIN (1913-76). English composer, conductor and pianist.

 

Long Autograph Musical Quotation Signed, on music staff paper, oblong 4to, n.p., n.d.

 

Britten has penned 6 full bars of music with lyrics from  his, “Carmen Basiliense (Cantata Academica),” 1959,  which he noted at the end of the bars of music. At the beginning, he writes, “Soprano solo,” and on the line below, “Coro (Ten Bass).” He signs below the music, “Benjamin Britten.” 

 

Britten composed the Cantata for the 500th anniversary of the University of Basel. This long musical quotation is superb and ideal for presentation.

 

$3750.00

 

BRITTEN, BENJAMIN (1913-76).  English composer. One of the greatest composers of English opera. Wrote  Peter Grimes, Midsummer Nights Dream and the War Requiem.

Autograph Musical Quotation signed, tall 8vo, Holland festival, Amsterdam, 1964.

This is an attractive program for the festival featuring Mstislav Rostropovich as a cello soloist, and Peter Pears as the tenor. On the page announcing Rostropovich and Pears, Britten has boldly penned a musical quote to his Cello Symphony  Opus 68. It is inscribed "with best wishes …  Benjamin Britten"  with title of the quote in his hand. (#5599-0126)

Britten was guest conductor at the Amsterdam Council Hall, when he actually performed  this work as the last part of his program. An uncommon and most desirable quote. 

$1,500.00

 

BRUCH, MAX  (1838-1920).  German composer.  Especially known for his violin concertos.

 

Autograph Letter Signed, in German, 2 separate pages 8vo, Bonn, March 21, 1878.

To a young lady.  "As a long standing friend of your father, my highly esteemed comrade in the alps, I would not want to forego the pleasure to meet you .... To my sincere regret, family mourning makes it impossible for me to hear you in concert on Tuesday ...." Bruch finally sends his best regards "and the best request to recommend myself to your esteemed mother."  Signed, "I am completely yours, Max Bruch."

A friendly, long letter penned at the height of his career. 

$400.00


BRUCH, MAX (1838-1920).  German composer.  Especially known for his violin concertos.

Autograph Letter Signed, in German, on black-bordered mourning stationery, 3 pages 8vo, Oberhof (Thuringia), August 8, 1913.

A friendly letter, "I respectfully reply that it would certainly be my pleasure to receive you.  However, at this time I cannot tell you with certainty whether I shall be back by Sept. 11 ….  It would be good if you could write to me here about the 'business affairs' you mention …."  A beautifully penned letter signed, "Dr. Max Bruch."

$425.00

 

CALLOWAY, CABELL III ("CAB") (1907-1994).  American singer, band leader and actor.

Publicity Photograph Signed, light sepia tone 4to, New York, [early 1930s].

Calloway is a young man in his late 20s in this bust-length photo.  He faces squarely to the front, with an engaging grin and his chin tipped slightly down.  He wears his signature  white tail suit with sharply peaked lapels, sporting tiny black studs in the deep V of the vest.  The photo bears the imprimatur of Miners NY, released by Mills Artists, Inc. also of New York, and says "Cab Calloway and his Cotton Club Orchestra."  Signed "To … Hi-de-Ho Cab Calloway" in the lower left.

Irving Mills (1894-1985) was one of the first record publishers to record  African-American and white musicians together.  He founded the publisher Mills Music and booking manager Mills Artists, both heavyweights on the American and Broadway song scenes for the first half of the 20th century.  He was himself a successful songwriter and singer.  Mills was looking for a pretty ingénue to sing with the Ellington Orchestra. His son writes, "He was told of a girl in Chicago named Blanche Calloway who was in a colored cafe doing a review. [Mills] liked her but she said she would not go to New York unless her brother could go with her … 'He sings a good song and he dances very good.'" That was Cab Calloway, the Hi-de-Ho Man, and he headlined at the Cotton Club from Ellington's departure in 1931 through 1939.

$250.00

 

CARUSO, ENRICO. (1873-1921). Italian tenor; debut in Covent Garden in 1902 and the Metropolitan Opera in New York in 1903.

Extremely handsome Photograph Signed, oblong 8vo, Sao Paulo, 1918.

This is a beautiful bust-length portrait of Caruso staring directly into the camera, wearing houndstooth sport coat and black bow tie. He looks dapper and most serious. Inscribed in French, “To Victor, in friendship, Enrico Caruso, 1918." Photograph by Rizzo of São Paulo.

By 1918, Caruso had gained his international reputation, appearing in two silent movies that year and in September 1920 performing for war charities in New York with John McCormack, Al Jolson, and George M. Cohan. Sang Cohan’s ‘Over There’ in Central Park.

$1,200.00


CARUSO, ENRICO. (1873-1921). World-renowned Italian tenor.

Autograph Letter Signed, in English, on emblematic, "Hotel Cecil" stationery, 4to, London, May 30, 1906.

He writes to John Ridgely Carter, an American diplomat stationed in Great Britain. Caruso writes, "Confidential" at the top of the page. "I am sorry I cannot give you a definite reply because the terms of my contract with the Royal Opera Syndicate require that all engagements of the kind you propose must pass through the Syndicate…Covent Garden…." He signs, "Enrico Caruso."

In 1903, Caruso made his debut at the Metropolitan Opera House and became its chief attraction because of his extraordinary voice. He wrote this letter three years after his debut in New York. Letters of Caruso written in English are uncommon and this contains a reference to the Royal Opera House in Covent Garden.

$1500.00

 

CARUSO, ENRICO . (1873-1921) Italian opera singer, noted for his appealing warm lyric tenor voice.

Original Photograph Signed, 4to, New York, 1917.

This handsome, sepia toned image of the legendary singer shows Caruso in chest length profile, wearing a checkered jacket, light shirt and light polka dot tie, with light colored handkerchief loosely placed in his breast pocket. He has a serious expression A fine image by Rizzo studio. In a large hand, he inscribes the photo and signs, “Sincerely, Enrico Caruso, N. Y. 1917.”

A fine image ideal for presentation. In 1917, Caruso was at the height of his fame performing at the Metropolitan Opera House.

$950.00

 

 

CARUSO, ENRICO  (1873-1921).  One of the world’s greatest opera singers, who also pioneered the development of records which helped expand his popularity.

 

Original Signed Drawing, on an 8vo album page, n.p., n.d..

 

The great tenor has drawn his face in profile, in pencil. He presents himself in middle age, balding with a heavy face and a smile. He signs on an angle under his outlined  collar, “Enrico Caruso.” A sheet of onion skin paper attached to the page protects the image.

 

Fine for presentation.

 

$1450.00

 

CILEA, FRANCESCO  (1866-1950).  Italian composer.  Composed numerous operas, and best remembered for his Adriana Lecouvreur  in 1902.  He also wrote piano, orchestral and vocal music.

 

Excellent Original postcard Photograph Signed, small 8vo, Rome, January 24, 1938.

This is a refined half-length portrait of the famed Italian composer in black suit, white shirt, and wire-rimmed glasses.  Signed on the lower white margin, "F. Cilea Roma, 24-1-1938 =XVI=."

An excellent formal portrait of the composer best remembered for his Adriana Lecouvreur. 

$300.00

 

CILEA, Francesco (1866-1950).  Italian composer.  Composed numerous operas, and best remembered for his Adriana Lecouvreur  in 1902.  He also wrote piano, orchestral and vocal music.

Excellent original 12mo Photograph Signed on a 4to Photographer's Mount Signed, Naples, July 15, 1931.

This is an attractive bust-length portrait of the noted Italian composer staring forward, wearing his wire-rimmed glasses.  He is wearing a black suit, white shirt and tie.  Inscribed on the beige mount in Italian, "To … Alberto D. Miniello With affection F. Cilea with the best wishes from his grand maestro" while Cilea was director of the Majella Conservatory in Naples from 1916-35.(#5513-0122)

A superb presentation photograph from the aging composer of the charming opera, Adriana Lecouvreur, penned when he was sixty-five.  Also signed by the photographer.  Uncommon in this format. 

$475.00


COLE, NAT ("KING") (1919-1965).  American jazz pianist and popular singer known as "The Sound" to other musicians.

Signed black and white publicity photograph, 4to for General Artists Corporation, n.p., n.d. [but after 1940].

A fairly young Cole, smiling appraisingly as he looks over to the photographer's right, wears a houndstooth jacket with white pocket handkerchief, white shirt with collar bar, and a black tie with small glossy crowns.  Signed in blue ink in the upper right corner "To … Best Wishes Nat King Cole."

Cole hired Carlos Gastel, the manager named on the photo, in 1940 and began recording for the startup Capitol Records.  Most of his great piano work was recorded between 1941 and 1947.  Small tear in the upper right white margin of the photograph does not affect its appearance.

$400.00

 

COPLAND, AARON  (1900-90).  American composer.  His symphony for organ and orchestra was introduced in America in 1925.  He also wrote music for the theatre,  and film.

Excellent Printed and Autograph Document Signed, 2 pages 4to, New York, 1942.

This is a two page ASCAP form filled out by the noted composer for his 1929 work, As it fell upon a day.  Copland mentions that it has been published by New Music and that a flute, clarinet and soprano voice are required.  Signed at the conclusion, "Aaron Copland."

A good early document. 

$375.00

 

CZECH QUARTET. HOFFMANN, Karel (1872-1936). SUK, Josef (1874-1935). HERALD, Jiri (1875-1934). ZELENKA, Ladislav (1881-1957). Members of the Czech Quartet, specializing in Smetana, Dvorák, and Beethoven as well as modern quartets.

Document Signed, in Czech, being a concert program, ?, 8 prosince 1932. #(5109)

Fortieth-anniversary jubilee program page for a concert featuring quartets by Dvorák, Suk, and Smetana.  Signed "K. Hoffmann," "Jiri Herold, "Josef Suk," and "L. Zelenka."

$275.00

 

DEBUSSY, CLAUDE  (1862-1918).  French composer. Along with Maurice Ravel he is considered the most prominent figure working within the style  referred to as Impressionist music, though he  disliked the term when applied to his compositions. Debussy was not only among the most important of all French composers but also a central figure in music at the turn of the twentieth century. His music has virtually defined the transition from late-Romantic music to twentieth century modernist music.

 

Autograph Letter Signed, in French, on his handsome  blue initial “CD”

letterhead, 8vo.,Tuesday 26th December [19]11.

 

To René “and if you do not see her on Saturday 30th  blame nothing but my normal unsociability, augmented by white hairs – a phenomenon caused by the melancholic and regular passing of the years….” He says he could have made up some story, “maintaining that we had to witness at a marriage in Greenland….” but he prefers to tell Peter the truth. He sends greetings from both himself and his wife, “which makes a presentable enough bouquet of good wishes….” Beautifully signed, “Claude Debussy”. Included is the original autograph envelope with original stamp.

 

This is a highly poetic letter, full of symbolism and irony.  It is possible that Debussy was suffering from melancholia at this time as he was having great difficulty in setting two stories by Edgar Allan Poe, La Chute de la Maison Usher and Le Diable dans le Beffroi. René Peter was a long-standing friend of Debussy who published his reminiscences, Claude Debussy: vues prises de son intimité in the monthly review, Les oeuvres libres in October 1931. A second enlarged edition was published in 1944.

 

$3450.00

 

 

DE FALLA, MANUEL   (1876-1946).  Spanish composer; associated with Debussy, Dukas, and Ravel;  best remembered for his El Retablo de Maese Pedro (1922).

 

Autograph Letter Signed, in French, 4 pp, 8vo, Granada, May 27, 1924.

 

To [Henry Prunieres]. "I am very sorry that I will have to deprive myself of the great pleasure of participating in your concert of June 28 because I cannot leave in light of the masses of work that weigh on me…I would be very grateful to you for giving me some news…of this project on the Retablo that you mentioned to me…before there are several projects already for the representation of the work.  I shall have to make up my mind before too long….I am very sorry that I am not able to be in Paris for your concert."  In a lengthy postscript de Falla adds, "You may want to add to the bibliography of your Monteverdi: Mitjana (Rafael).  Claudio Monteverdi and the origins of Italian opera, Malaga, 1941 (conference paper).”  Nicely signed, "Manuel de Falla."

 

Henry Prunieres, who  organized the concerts at the Théâtre du Vieux Colombier in 1921, was most importantly a noted musicologist.  De Falla wrote El Retablo de Maese Pedro in the classic tradition of Spanish music, and Prunieres and de Falla were discussing the possible inclusion of El Retablo at the Théâtre.

 

$1,200.00

 

 

“There are few mistakes in my original score”

 

 

DELIUS, FREDERICK (1862-1934).  English composer. His musical style is one of the most unusual in Western musical history because it was largely tonal and reflects a move from the textbook post-romanticism of the years following the death of Richard Wagner (1883) to a style that was unique to Delius.

 

Autograph Letter Signed, in German, 2 pp, 4to and one page oblong 8vo, on “Grez Sur Loing” stationery, February 4, 1909.

 

To Hungarian pianist, Theodoe Szanto (1877-1934).  “I am involved in a court case with Harnonie, it is very important to me to know the exact truth about this matter, and I ask you as a friend that you tell me the absolute truth.”  Delius then lists a series of questions regarding the case.  How is it possible that you were engaged to play my concerto in Pest, and that the conductor Wengartner or Nedbal…had never seen the score.  What material did Harmonie give you or send you from Berlin. Did you not take with you the score I corrected,,,Did you not try to play…your own version which you played in Leipzig and Halle-which could have caused the confusion...There are few mistakes in my original score, and there cannot be many in the parts…I heard from Schmid-Lindner and Mottl, who had asked for their impressions and any remarks because of the new printing which is due….” Delius concludes, “I already know that Harmonie offered you the chance to play the concerto in Pest according to your version….”  Signed, “I await your news by return, Frederick Delius”.

 

A significant letter expressing Delius’s frustration in controlling his music against the actions of his publisher.  Delius's later years were spent chiefly at the home he and his wife set up in Grez. These years were marred by increasing ill-health. As a young man (possibly in Paris) he had caught syphilis, the long term effects of which were to rob him of his sight and to cause him to become increasingly paralyzed.

 

$3250.00

 

 

DELIUS, FREDERICK (1862-1934). German born, English composer.

 

Autograph Letter Signed, in English 4to, Walford, Herts, March 26, 1915.

 

To the publishers Messrs. Augener Ltd. “I have as yet made no arrangements about my Sonata for Violin and Piano and I should be very glad to speak to you about the matter.  I shall be in London early next week, Tuesday or Wednesday and could come and see you in the afternoon.  Kindly let me know what time would suit you.”  Signed boldly, “Faithfully yours Frederick Delius”.

 

As the Germans advanced, the Deliuses retreated to England where he was by now much fêted. Delius wrote letters in English German French and Norwegian; but as time passed his wife Jelka took on more of his correspondence. Hearing May and Beatrice Harrison play Brahms's double concerto in 1914 prompted Delius now back in Grez after a visit to Norway to compose a similar work for them (1915).  It was the first of his mature instrumental works in the traditional classical forms that were not quite second nature to him .  As well as chamber music there are concertos for violin (1916) and cello.  Letters of Delius, who went blind, are quite uncommon.

 

$2600.00

 

DONIZETTI, GAETANO (1797-1848). Italian composer who influenced Verdi  and who and also wrote over 75 operas.

 

Manuscript Document Signed, in Italian, 4to, Naples, October 21, 1829.

 

Donizetti requests permission to perform “Le Convenienze ed inconvenienze teatrali” on the 25th of the month [presumably October 25th] at La Fenice. Signed, “Gaet. Donizetti.”

 

Donizetti's one-act opera, “Le convenienze teatrali,” with a libretto by Donizetti, was first performed at the Teatro Nuovo in Naples on November 12, 1827. Donizetti later expanded this work into two acts, drawing on a companion play by Sografi, and made substantial changes in the plot and characters and retitled it “Le convenienze ed inconvenienze teatrali." The present document is of interest as it helps to date Donizetti's revision of the work into a two-act opera, and also because it provides evidence for a proposed performance of the work in Venice.

 

$ 1150.00

 

 

DUKAS, Paul Abraham (1865-1935).  French composer and critic, best remembered for his symphonic poem, The Sorcerer's Apprentice.  Professor, Paris Conservatory of Music (1910-13, 1928-35).

Autograph Letter Signed, in French, on 8vo aerogramme, n.p., March 11, 1920.

To Rhene Baton (1979-1940, the French conductor). I heard through my friends what degree of perfection and enthusiasm you brought to your performance of 'The Sorcerer's Apprentice.'  Please accept my most cordial gratitude …."  Signed, "Paul Dukas." (#5614-0126)

$600.00

   

Dussek, Jan (1760-1812).  Bohemian pianist and composer.

Autograph Letter Signed, in French, 8vo, [Paris], Thursday the 26th, n.y..

To Mr. Norbellin, "Premier violoncelle du Théâtre  de l'Odéon."  "A person I met abroad and who just arrived in Paris asked me who the premier cellist is in this country in order that he may profit from his lessons. You do understand that I could not name anyone other than you … you will be kind enough to pay a visit to the gentleman in question to make arrangements as to hour and days, address Mr. Richard Paris, Hotel de L'Empire."  Signed, as usual, "Dussek." (#5615-0126)

Dussek, a respected pianist tried to influence the cellist Norbellin to help a gentlemen with lessons. His flattery was quite apparent. Dussek wrote 15 piano concertos, over 60 two-hand and four-hand piano sonatas. His autograph is quite uncommon. 

$1,250.00

 

DYLAN, BOB. (b. 1941) American folk singer and poet who moved from folk to rock music in the 1960’s.

 

Excellent 4to color Photograph Signed, n.p. n.d. [Munich] [ ca. 2003].

 

This is an excellent portrait of the legendary singer and poet half-length, with his guitar around his neck. His hair is neatly sloppy, with a 5-day-old beard. Signed across his casual white jacket, “Bob Dylan”.

 

Signed portraits of Dylan, the great folk singer and poet are quite scarce. This portrait is excellent for display.

 

$875.00

 

ELLINGTON, DUKE (1899-1974).  American bandleader and composer.  Composed “Mood Indigo” and “Sophisticated Lady.”

 

Excellent oblong 4to Photograph Signed, n.p., n.d.,  ca. 1945.

 

A wonderful publicity photograph of the great pianist and bandleader standing on a pedestal in front of his band and against a superb art deco style stage set.  Signed in blue across his piano, “Best of Luck, Duke Ellington.”

 

This photograph was used by the William Morris Agency as the band’s publicity portrait.  A unusual portrait.

 

$575.00

 

 

ELLINGTON, EDWARD “DUKE” (1899-1974). American bandleader and composer whose best remembered songs include Mood Indigo  and Sophisticated Late.

 

Upbeat bust length Photograph Signed, 8vo, “Lake Theatre” n.p., nd. [ca. 1940s].

 

Ellington with an enormous grin, stares directly at the camera.  He is wearing a grey suit and elegant tie. Signed across his shoulder, ‘To…Best Wishes, Duke Ellington”.

 

An elegant portrait of the great bandleader, handsomely dressed and with a bold smile.

 

$425.00

 

ELLINGTON, EDWARD KENNEDY ("DUKE")  (1899-1974).  American jazz composer, conductor, and pianist.

Excellent bust-length 4to Photograph Signed, n.p., ca.  1954.

A wonderful portrait of Ellington in the 1950's with slightly graying hair, and gray sport coat.  His head is slightly tilted to the right.  Inscribed in the upper left in black fountain pen, "To ... Good luck, Duke Ellington."

A wonderful portrait signed at the height of his career. 

$475.00


ELLINGTON, EDWARD KENNEDY ("DUKE") (1899-1974).  American jazz composer, conductor, and pianist.

Black and white photograph signed, oblong 4to, n.p., n.d.

This is a posed publicity photo from Metro-Goldwyn-Mayer of the Ellington orchestra on a bandstand.  Ellington, perhaps in his 40s, sits to the right at an upright piano and has signed "Duke Ellington" across the bandstand steps.
Ellington appeared in a number of films in the 1930s and 40s, among them Symphony in Black (1935), Masks and Memories (1934), Cabin in the Sky (1943), and Date with the Duke (1947).  This photo was probably taken for Cabin in the Sky, an MGM musical directed by Vincente Minnelli and also featuring Ethel Waters, Louis Armstrong, and Lena Horne.

$475.00

 

FALLA, MANUEL DE   (1876-1946).  Spanish composer. Associated with Debussy, Dukas, and Ravel.  Best remembered for his El Retablo de Maese Pedro (1922).

Autograph Letter Signed, in French, 4 pages 8vo, Granada, May 27, 1924.

To [Henry Prunieres]: "I am very sorry that I will have to deprive myself of the great pleasure of participating in your concert of June 28 because I cannot leave in light of the masses of work that weigh on me ….  I would be very grateful to you for giving me some news … of this project on the Retablo that you mentioned to me … before there are several projects already for the representation of the work.  I shall have to make up my mind before too long ….  I am very sorry that I am not able to be in Paris for your concert."  In a lengthy postscript de Falla adds, "You may want to add to the bibliography of your Monteverdi: Mitjana (Rafael).  Claudio Monteverdi and the origins of Italian opera, Malaga, 1941 (conference paper).  Nicely signed, "Manuel de Falla."

Henry Prunieres, in 1921, organized the concerts at the Théâtre du Vieux Colombier.  He was also, most importantly a noted musicologist.  De Falla wrote El Retablo de Maese Pedro in the classic tradition of Spanish music.  Most certainly Prunieres and de Falla were discussing the possible inclusion of El Retablo at the Théâtre.  De Falla also gives Prunieres some bibliographic information.

$1,200.00


FALLA, MANUEL DE (1876-1946).  Spanish composer who was closely associated with Debussy and Ravel.  Most known for his nationalistic music like The Three-cornered Hat (1917).

Autograph Letter Signed, in French, 8vo, n.p., n.d.

To a friend [Madeleine Greslé], he writes a cordial full page letter.  "Coming back to Paris … I was happy to find your note … I am sorry that I will not be free tomorrow evening but I may come by at 6 p.m.?"  Signed, "Manuel de Falla."
A most attractive letter with nice association.  Quite pleasant for display.

$300.00

 

FAURÉ, GABRIEL (1845-1924).  French composer, studied under Saint-Saens and influenced many composers of his time.

 

Autograph Letter Signed, in French, 2 pages 8vo, on Boulevard Malesherbes, stationery, n.d.

 

To a woman.  “Unfortunately I am free on the 14th only!  I must leave on the 15th in the morning to go to Lyons and I will be away for 18 to 20 days.  What a pity that Mrs. Dettelbach cannot accept for the time when she is back from London;… I would have been able at that time to make myself fully available to you to work with your choir.  Anyway, please decide and do count on me….”  Signed, “Gabriel Fauré.”

 

Fauré was the director of the Conservatory of music and also wrote many nocturnes and chamber music.  This is a kind letter mentioning how he wants to help a friend with her choir.

 

$450.00

 

 

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